SKU: 10564233769
e bike cube compact

e bike cube compact Cube eBike

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Description

e bike cube compact Cube eBikeThe Compact bike has a long history in urban cycling lore. Originally designed for apartment dwellers, it took up less footprint in a foyer or hallway. But the real advantage is that there is no better bike for the city than a smaller wheeled bike. But why? Physics is the answer! Unlike country riding which is pretty much what every bike sold in North America is designed for city riding involves two constants. The first is endless stops and

The Compact bike has a long history in urban cycling lore. Originally designed for apartment dwellers, it took up less footprint in a foyer or hallway. But the real advantage is that there is no better bike for the city than a smaller wheeled bike. But why?

Physics is the answer! Unlike country riding - which is pretty much what every bike sold in North America is designed for - city riding involves two constants. The first is endless stops and interruptions. Stop signs. Red lights. Pedestrians not looking both ways before they cross the street. Riding in the city means you stop-and-go a lot and a small wheel has one major thing going for it: massive acceleration! A small wheel simply moves more revolutions per pedal stroke than a larger wheel. That means it reaches top speed quickly, and that makes you surprisingly fast. The second truth about riding in the city is that you rarely ride in a straight line. Cities are made up of constant 90 degree corners which require a bike with sharp and quick handling. And, the smaller the wheel, the better the cornering! 

The Cube Fold Sport Hybrid takes this long history and adds a powerful Bosch motor, a very clever handlebar that twists so it takes up less space in your hallway, and even further, folds to a transportable size! The Bosch motor reads your pedalling torque, pedalling revolutions, and wheel revolutions and constantly adjusts the power output to your needs. If you go up a hill, it knows and cranks up the power. When you get to the top of hill it powers back and continues to hum in the background. If you want more of this mind-reading power, you can crank the system up for more assistance too. It's quite sensational!

The rest of the bike is a story of smart engineering. An easy step-through frame that is unisex and designed for all riders. Hydraulic disc brakes to ensure intuitive yet powerful speed control. The highest level of puncture protection, and, finally a German-made lighting system that keeps the street (and yourself) visible.   

  • Questions? Book a consultation with one of our E-Bike experts 
  • Lightweight Aluminum frame with compact design
  • Motor: Quiet & reliable Bosch Performance Line provides 65Nm acceleration at low cadences 
  • Battery: Bosch 500Wh gives you up to 100km of range on a single charge
  • Lighting: Super-bright ACID-60 LED Lighting is German-made for ultimate functionality
  • Drivetrain: Shimano Tiagra 10-speed cassette offers reliable, exact trigger shifting  and the 1x drivetrain system keeps things lean and simple for reduced maintenance costs
  • Shimano hydraulic disc brakes offer intuitive stopping power in absolutely every weather condition   
  • Schwalbe tires are highly puncture-resistant - Made in Germany
  • Comfortable ergonomic ACID gel saddle
Cube Compact Sport Hybrid
FRAME Aluminum
BIKE WEIGHT 23.1 kg / 50 Ibs
WEIGHT CAPACITY 140 kg
BATTERY Bosch Powerpack 500
MOTOR Performance Line Gen 3
DISPLAY Bosch Purion
MAX ASSISTED SPEED 32km/hr as per Canadian regulations
COMPUTER MODES Eco, Tour, Sport, Turbo
RANGE ESTIMATE 80-100km
CHARGING TIME 4 hours 
FORK Aluminum
HEADSET Cube H835D3, Semi-Integrated
SEATPOST Newmen Evolution, 27.2mm
TIRES Schwalbe Super Moto-X
TUBES Schwalbe
RIMS CUBE EX30, 32H
FRONT HUB Shimano HB-TX505 QR, Centerlock
REAR HUB Shimano HB-TX505 QR, Centerlock
CRANKSET ACID E-crank
CHAINRING 44T
CHAINGUARD Chain Guard
CHAIN KMC X9
CASSETTE Shimano CS-HG500, 11-34T
SADDLE Natural Fit SHEN
PEDALS Acid PP Trekking
SHIFTING SYSTEM Shimano Alivio
SHIFTER Shimano SL-M2010-9R
HANDLEBAR Cube Comfort Shape Bar
STEM Cube Comfort Stem Pro - Adjustable
GRIPS Natural Fit Comfort
BRAKES Shimano BR-MT200 Hydraulic Disc
FRONT LIGHT CUBE Shiny 50 Lux
TAIL LIGHT CUBE Varioclose
MUDGUARDS ACID 75 - 406
REAR RACK
ACID 20" Semi-Integrated Carrier
BUNGEE N/A
BELL
Easy Bell
KICKSTAND CUBE CenterStand
LOCK N/A
CUBE SUPREME SPORT HYBRID 400 FROM TO
ONE SIZE
5' 0" 6'4"


How does a Cube compare to other e-bikes?

It's German! And, that means a lot. Germany is home to largest e-bike market in the world and also the highest regulations. This regulatory environment produces some of the best products out there since each brand competes with other brands for the highest level of safety. These regulations, known as the Straßenverkehrszulassungsordnung (try saying that three times fast!) cover everything from the nature of dynamo or electric lighting beams (and how they are not permitted to blind oncoming traffic) to the quality of everything from the kickstand to the rear racks. Built in Germany, Cube thus has access to tons of German parts that are made-in-Germany and are not easily available in China - where most e-bikes are made. Finally, there's just something ephemeral about the deep experience and maturity that is built into a Cube bike. Where so many North American brands are still figuring out how to build e-bikes, Cube has that all figured out and leads from the front. 

Why Bosch as the motor/battery system?

Bosch has been supplying the automotive industry for over 100 years and when they entered the e-bike market in the early 2000s they did so with a commitment to carrying over their extensive experience and focus on high standards of quality and reliability. As evidence of this Bosch was the first e-bike brand to ensure all of its motors, batteries and chargers meet UL 2849, an international e-bike safety standard. 

Bosch also draws on its automotive experience to create and maintain a massive network of highly trained dealers and service centres. This means you won’t struggle to find service for your bike whether that's with us or in another city around the world. 

Due to the high quality of the motor/battery systems and the massive network of service centres, investing in a Bosch system will save you time and money on maintenance and repairs over the life of the bike. Bosch also offers a spare parts guarantee, meaning they are committed to producing replacement parts, even for their discontinued systems, which means a longer life for your bike!

Does the battery lock to the bike?

Yep. That’s one expensive chunk of Lithium Ion. Frame-mounted batteries lock on to the down-tube and only you can remove them with the key provided. Internal frame batteries are built into the bike, so no need to worry!

How long does it take to charge the battery?

It takes about five hours to charge a single battery from flat to full. The batteries don't have memory so there is no problem if you only charge the battery a little bit, halfway, or whatever. You’ll get over 1000 complete charges, which is typically 5+ years of use before a replacement is required.

Is the unit serviceable?

You bet it is. For years the e-assist market was dominated by small fly-by-night companies with good ideas and no balance sheet. The consumer took all the risk and were often left with technical assistance phone numbers that no longer worked. Cube partner with Bosch, a huge player in the e-bike market – and they are sophisticated, which means they are updatable, diagnosable, and if something does break, fundamentally repairable.

What's the lifetime on the battery?

On average you will get about 18,000-20,000 miles from the battery before it needs to be replaced.

This is expensive! Will it get stolen?

Estimates are that over 90% of bicycle theft is tied to cash-for-drugs (unfortunately) and most bike losses are due to inferior or cheap locks. Make sure you buy a good ABUS U-lock or a chain and your bike will be safe. 

What’s the warranty?

For the original owner, Cube offers a two-year warranty for manufacturer defects on frame and fork, five years for frame / swingarm breakage, and two years on the battery. Does not include wear and tear.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 10564233769

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4.3 ★★★★★
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mojo_navigator
Charlottesville, US
★★★★★ 5
Excellent Blu-Ray Transfer - Big Improvement to the DVD
I've been a big fan of this movie for many years, long before the advent of DVD let alone Blu-Ray. I used to go and see it at the repertory cinema often - the first time, I was stunned by the quasi-hallucinatory cinematography of it. A totally unique film that's never been replicated before or since (although The Limey was a good attempt) Frankly the story is incidental and not worth summarising or even paying much attention to. The cinematic style of it is what makes it so riveting both then and now - an excellent psychedelic time-capsule of late `60s LA punctuated by stunning performances from the likes of Marvin, Dickinson and others. The DVD was a huge let-down when released. Despite the accolades that it had at the time, it had a "watery" non-filmic quality which made it dull and tiresome to watch even once. Without capturing the garish color and mind-bending trippiness of the film, you were reduced to following the plot which, like I said, is the least interesting aspect of it. The Blu-Ray is MILES superior to the DVD. The integrity of every component in this movie that I've discussed above is perfectly captured; the emotional power of it is all there in bucketloads. The colors are strong and vivid and in true Blu-ray style you notice subtleties that you hadn't noticed before (e.g. the green chairs in the corporate offices, Angie Dickinson's expression after the "what's my last name" exchange). The overall quality is very filmic (no DNR etc) and good grain where appropriate. It looks like a strong 35 mm print that has been run a few times but has plenty of life left. So no Criterion day-it-was-released look but more than satisfactory. Ideally, I would like Criterion to get hold of this as I think they would clearly be able to make an improvement but this is a minor quibble. For fans of `60s cinema and experimental film-making, this Blu-Ray edition will thoroughly satisfy. I no longer feel the need to see this in a movie house anymore unless there's a full restoration of the original 35mm print (which does happen from time to time)
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Reviewed in the United States on September 26, 2014
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KEITH
Lake Worth, US
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows. Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring. Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters. In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies. At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn. The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025
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Parker
Fort Morgan, US
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do. As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable. In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
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Clare Quilty
Louisville, US
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
J
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Joe Movie
San Leandro, US
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010

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